From
Melanie Phillips,
[T]he iconic image of the child Mohammed al Durah, pictured crouching with his father behind a barrel next to a concrete wall in an apparently vain attempt to shelter from the gun-battle between Israel and the Palestinians that was raging around them before he was allegedly shot dead by the Israelis, served to incite terrorist violence and atrocities around the world after it was transmitted by France 2 at the beginning of the second intifada. Yet it is clear to anyone looking at this in detail that the whole thing was staged, not least from the devastating evidence here which shows the boy raising his arm and peeping through his fingers seconds after the France 2 correspondent Charles Enderlin said he had been shot dead.
Philippe Karsenty, who runs a French media watchdog, criticized the France 2 report and was successfully sued for libel. That case is now under appeal, and the additional evidence that is coming out strongly indicates that France 2, its journalist(s), and its managers all had/have a strong anti-Israel bias that smacks of anti-Semitism. As Phillips says,
There were many very strange things about this footage which just didn’t add up. When it came to the footage of the ‘killing’ of Mohammed al Durah, the following stood out:
* This sequence was not a continuous narrative but was repeatedly broken up and spliced onto footage of other scenes from the demonstration
* Although the France 2 cameraman had told a German film-maker, Esther Shapira, that he had filmed six minutes of the al Durah father and son under continuous Israeli fire, the footage of them lasted for less than one minute
* There was a camera tripod next to them
* There was no evidence of the boy actually being hit
* At one point, people in the crowd cried out that the boy was dead, while he was sitting up large as life clinging onto his father with his mouth wide open
* After he was said to be dead, he moved his arm (the sequence I have already reported which has been available on the web for years)....
The ‘killing’ of Mohammed al Durah was swallowed uncritically by the western media, despite the manifold unlikeliness and contradictions which were apparent from the start, because it accorded with the murderous prejudice against Israel which is the prism through which the Middle East conflict is habitually refracted. This scandal has the most profound implications not just for the media, not just for the Middle East conflict but for the western world’s relationship to reason, which seems to grow more tenuous by the day.